She made one poor decision after another which is why she ended up in a terrible situation. She was everything wrong with a petite pretty blond. And the main character, Mallory, whoa buddy. This rehashed, good-looking-bad-dude-whom-you-trusted plot is so tired and they did nothing to make it likable. She returns the favor by giving him a ride and lo and behold he's not such a good guy. As fate would have it some hunky guy is hiking and helps her get on the road again. Mallory's (Juliane Hough) car breaks down on her way to Denver from San Francisco.
#Curve insidia mortale movie
Have you ever watched a movie, particularly a horror movie or thriller, in which you really didn't like the protagonist? This was that type of movie. This is likely an original conception of the story that was changed during shooting to make the murdered family a bigger surprise later on. He then commits the murders that are shown after the fact in the climax, and amidst the chaos, Mallory escapes, and in the chase Christian engages in with her, the crash occurs that sets into motion the remainder of the existing film. The family that is later shown to be victims in the climax of the final cut emerge shortly after his arrival, and it is revealed Christian has been doing contracting work for them.
She discovers the phone has been cut, and hides when Christian, who has repaired her truck to use it for himself, arrives at the cabin and enters. Unable to get cel service, she happens upon the cabin that appears at the end of the movie in the final cut, and sneaks inside when nobody answers the door. The car soon shuts down again, and this time upon inspection, she learns a crucial cable has been cut. So even though it’s a decent enough watch in its own right, Curve ultimately offers little reason not to just give The Hitcher another spin, or perhaps 127 Hours if you’re more interested in the survival element but crave greater depth in your drama.In footage reedited into a short "alternate storyline" on the home video releases, Mallory does not give Christian a ride after he restarts her car, and after leaving him behind, calls her sister to talk about the encounter. It’s all presented with finesse, sure – it’s well lensed and Softley shows definite skill behind the camera – but Curve winds up being little more than a thoroughly vanilla timewaster, reeking of squandered potential by the time all is said and done. Crazy Shouty Man Who Can Take a Lot of Punishment. In its home stretch, Curve gleefully joins the ranks of countless other psycho-thrillers as the heroic survivor turns the tables on her would-be killer, who is of course now relegated to the generic position of Mr. Things finally pick up with the introduction of a policeman in a scene fraught with roadside tension… only to see Curve take yet another turn into sadly clichéd territory for the final act. Pacing suffers greatly as the second act wears on in an all-too-familiar manner – demonstrating Mallory’s gradual growth from victim to determined survivor, ready to take the fight to the bad guy. Thankfully, Hough’s performance during the survival-based second act balances this tedium with her own acting strength while director Softley works in the occasional bout of well crafted tension.īut it isn’t enough to keep Curve from wearing thin quite rapidly. Going forward, Christian lapses into a villainous caricature – returning occasionally to spout life lessons at his trapped plaything, labouring the point of her weakness of character (clearly not wishing to go through with her wedding, but not having the guts to stop it) again and again.
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